I disagree with the idea that modern dancers are cold or unemotional.

I use geometric and mathematical ideas to organize material, but those are tools. The purpose of the work is not to expose that at all, but to arrive at some kind of expressiveness.

If the simple positions of ballet are demonstrated straight on, they seem quite dull and lifeless, but when put on a diagonal, they begin to take on all kinds of possibilities.

I no longer need to have what I see as the surface of the dance so connected to the underlying structure.

The diagonal gives a three-dimensional feeling to dancers that cannot be achieved when they are only front and back. On the diagonal, more movement is automatically visible.

I think dancing is an emotional experience.

I do not like to be thought of as avant-garde or some kind of didactic artist.

The relationship between the audience and the dancers goes through many different stages. Someone seeing my work for the first time may or may not pick up on that.

I am just a choreographer, and I am trying to make productions, not dance concerts.

I do not like a haphazard connection between the dances and the music.

She couldn't tell where his pupils ended and the irises began

True joy comes from knowing Christ personally and from depending on His strength rather than your own.

When two souls are as one, they stay together on the Wheel. I was born into this world to love you, and I will love you in the next life, and the one after that." ~Jem Carstairs

You can always add something to a bike, but you come to a point where you can’t take anything away and that's a fixed gear bike

Knowledge is simply a kind of fuel; it needs the motor of understanding to convert it into power.

Women who pay their own rent don't have to be nice.

Every great cause was initiated by someone whose heart was broken.

Actors don't have real value.

You cannot make horses 'safe.