I don't think the concept of "directing actors" exists in the sense that if you get what you order from an actor you'll always get bad acting. Every actor is scared just like a regular person.

Every documentary is subjective. It's a total lie to say there are objective documentaries.

The cinematography was of course incredibly important to me because I graduated as a cinematographer.

It's said that if two documentary filmmakers meet they talk about the world, if two fiction filmmakers meet they talk about the million that they don't have to make their film.

I think that too often we, film directors, think that a big epic novel and feature film are the same. It's a lie. A feature film is much closer to a short story actually.

At 13 I was someone that didn't have a personality yet. It's a fascinating period in a human life. It's so exciting because you are in between childhood and adulthood.

There is one thing where people are always right. It is when they are describing what they have been feeling when watching your film. You cannot say: No, you did not feel like that!

I went to England when I was 13-years=old and then I went again when I was 14. When I went for the second time I felt like the first summer I was there it was a waste because I didn't exist yet.

You give your film away to the audience once it's done. I never look at my films after the premier. The film needs to start its own history.

I had worked in fiction a lot before I started making documentaries, but when I was around 32 or 33-years-old I suddenly got so fed up with the world of fiction, which is so money-centered.

In all my documentaries I did all the camera work, but in fiction I didn't want to do it myself. I think the machinery is so heavy and demanding that you would leave the actors alone for a long time.

I wander cowboy sidewalks of wood, wearing a too-small hat, filled with remorse for the many lives I failed to lead.

I prefer design by experts - by people who know what they are doing.

All I'm out for is a good time - all the rest is propaganda.

Logic is a system whereby one may go wrong with confidence.

With proper tactics, nuclear war need not be as destructive as it appears.

When spring comes to Paris the humblest mortal alive must feel that he dwells in paradise.

Watercolor is an alchemical medium - colors mixing with water, joining with it, being extended by it - creating new life where none had been before.

Even a poor plan is better than no plan at all.

The world isn't made of atoms, it's made of stories.

Human reason borrowed many arts from the instinct of animals.