I get nervous around girls for the first time. Once I'm in, I can take the reins and go. It's just the initial approach I'm really bad at.

I'm not Mr. Debonair Suave. I'm just a regular boy who goofs around, pulls pranks, and makes jokes. That doesn't sound very hot to me.

I see all the red carpet paparazzi stuff and I'm like, 'Really? Do I have to?!' I like to work and I know that's part of the job. But you kind of take it in stride.

There are just certain things that turn my head. It may be a girl's sense of humor, it may be her wit, or her belief system; it could be a lot of different things.

I consider myself a non-denominational Christian. I grew up in a Bible church and still hold those beliefs very close to me.

I used to be scared of uncertainty; now I get a high out of it.

I'm a mad Gummi fan. I always have Gummis in my trailer. But you can't eat too many because then you get Gummi tummy, and that's no good. I can't believe I'm saying this.

I like chocolate because it's chocolatey!

When I was in middle school, some of my so-called friends found a catalogue ad I did for Superman pajamas. They made as many copies as they could and pasted them up all over school.

Saving people, hunting things, the family business.

I love the smell of shampoo on a girl's hair. You can walk past someone and be like, 'Wow, you took a shower this morning, didn't you? Because you smell lovely.'

We are all, I suppose, beholden to our parents - the question is, how much?

Life is defined by time and seasons.

If we all discovered that we had only five minutes left to say all that we wanted to say every telephone booth would be occupied by people calling other people to tell them that they loved them.

The NFL is a performance-based business, so you should have to perform to earn some of your money. At the same time, I realize that my success isn't just because of what I do out there.

Think less. Take action. Be authentic.

In a world we find terrifying, we ratify that which doesn't threaten us.

Indeed the three prophecies about the death of individual art are, in their different ways, those of Hegel, Marx, and Freud. I don't see any way of getting beyond those prophecies.

I don't care if what we do makes a profit; I care whether we get somebody out of a wheelchair.

A lot of my friends who grew up in Manhattan have a strange phobia about Brooklyn. It's big and scary and they get lost.

Mentally, he's not the same person anymore (Paul Williams).