I guess I judge my films by how pleased I am with the work I do, so it's kind of on another level. If they do well at the box office, then that's great. Then I'm really pleased about that too.

Film has a tendency to be limiting in some way and it shouldn't be. It's a form that can be explored and changed.

I think I'm a bit of a dreamer. I don't like the reality of life to impinge much on my life.

We're all outsiders in a way. We're all alone and can become very lonely

I was on top of Keanu Reeves, he was on his back and I was on my trunk, and I was breathing down his neck for hours and hours. It was... very erotic.

It's kind of chased away a few demons for me and, um, it's educated me a little bit more.

I used to have two double espressos a day. I gave that up, had headaches for five days but now I'm feeling great.

When you're a kid you have this sense of wonder and wholeness and a strong sense of your own identity.

I think when your image becomes so big that it's hard for a viewer to see a character, then I think you're in danger as an actor of being unable to perform what you should be doing.

It's a real pleasure to go to work when you're in the most extraordinary surroundings, and working with people who are young and interested and creatively keen.

I keep thinking I should get a phone, because everyone's got one and it becomes increasingly difficult to exist in a society where everyone else has moved ahead and you haven't.

I have looked at the sun. It is so shinny, so hot. Attracted me but made me blind. Burned me. I went to the shadow. Under a tree. I could see clearly. I cooled down.

I'm always fascinated by the use of the first-person plural talking about sports.

It is strange, is it not, how the more strenuously we deny the importance of race in human affairs, the more obsessed with it and the touchier on the subject we grow.

A suffering person does not need a lecture - he needs a listener.

Where intention goes, energy flows.

It was an indulgence, learning last words. Other people had chocolate; I had dying declarations.

Kyle Idleman’s Not a Fan is a crucial message for our time. It’s a powerful call to commitment and to following Jesus with all our hearts that has challenged me in the best of ways!

I think Tony Fucile, who did the illustrations [for Bink & Gollie], is an absolute genius. I've never met him.

Bank of America is to sweetheart loans and Democratic Party payoffs as Paula Deen is to sugar and bacon grease.

You have to like the characters you play.