I had to do a tango with Raft and I learned to dance in ballet shoes with my knees bent.

My forehead is sometimes too high, but bangs could correct this.

I'd say my happiest moment as an actress came when I learned I'd won the Look Magazine Best Supporting Actress Award for 1956 in The Killing.

For many years my inherited arthritis had given me problems.

Elisha Cook was a darling, and full of the devil. A wired - up little fellow who was always busy, busy, busy.

The scene where I took my eyelashes off we did in two takes.

I thought my nose was too prominent so I had this corrected via plastic surgery in 1959.

In '48 when I left Metro, I tried to go back to radio, but somehow just didn't do well at it.

About that time, stronger features became fashionable on the screen.

Of course, in later years, I'd studied acting more than ever before - mostly with the late Stella Adler, who was marvelous! - but in my earlier years, I couldn't afford to do this.

I got to know Sterling Hayden fairly well. He was a quiet man, who got more complicated as the years went on.

...there must be an inviolate place where the choices and decisions, however imperfect, are the writer's own, where the decision must be as individual and solitary as birth or death.

Alan Rittenhouse: I know you're just a reporter, but you used to be a person, right?

You tend to become like that, what you want most. Its up to you to make it happen. Expect the best and work for the best. Dedicate yourself and make your life happen with determination.

Be wary of the man who does not offer water, charges too much for water, asks for too much water, and the one who makes water his business.

What breaks my heart is suffering of any kind.

It is difficult to lay aside a confirmed passion.

Children are becoming disobedient why, because of the lack of rules boundaries and limitations.

I think what makes a good show is obviously a rabid fan base.

Most of us don't collapse into puddles of stress-related disease.

Nothing is better than the unintended humor of reality.