I just want to keep going with the soaps. Maybe it's because I'm just so used to them. I was 21 when I started 'Passions' and did that for nine years. It's what I know.

When I say, 'We're a team,' the reason why I point that out is because at 'All My Children,' that's the mindset. They're a team. And I've said this to other people: They're like a united front.

When I left 'Days of Our Lives,' I was like, 'I don't know if I'm ever working again. I'm going to do the best I can. If it happens, great. If not, well... it sucks for me.

The confirmation for both jobs - 'AMC' and 'Smallville' - came through on the same day, so there was a lot of wine flowing in the Hartley house that night!

I was devastated when 'Days' let me go and couldn't help but feel it was my fault. What did I do wrong? What happened? It sucks. You always think it's your fault.

There is an event once a year that I'm able to sing at, through 'Passions,' in Tennessee. That's always fun. We perform at the Wild Horse Saloon.

If you've got comic book fans and soap fans and country fans, I think you've hit the whole world. What else is there?

I've been doing musicals since forever. Actually, I was focused on singing and becoming a singer until I landed on 'Passions.

I started in musicals. My first professional experience was Dorothy in 'The Wizard of Oz' in Palm Springs.

Employment deprives you of the purpose of existence

To change your life, love yourself. To change your community, love others. To change the world, love everyone.

I’m not above using unsavory beings to kick the Gods’ asses, but the Phantoms are too unpredictable for my taste, ” I said.

Our musical artistry and leadership of people need to work together to create an environment that welcomes participation instead of causing disengagement.

Be intensely result-oriented in everything you do. This is a key characteristic of high performers.

Bright-flaming, heat-full fire,The source of motion.

When people cease to complain, they cease to think.

Everything interests me.

I take what people feel and think, especially when it's different from, very seriously, and I find it liberating.

I don't look down to an audience. I look up to them. They respond to quality.