I'm a minimalist when it comes to design.

The drawings need to be strong enough to stand alone, and not just work as part of a sequence.

I'm always projecting onto objects like they're alive in some way.

When I see a salt and pepper standing next to a bottle of ketchup, to me that's obviously a parent and two children, you know? Isn't it for everybody?

I'm very minimalist. However, I don't like to hang onto any particular style - whatever serves the purpose.

Everyone has a burden, everyone has some baggage they're carrying.

I come from more of a sculptural background so I think of the form before anything else.

I guess the anthropomorphising is something I've done all my life.

There's a satisfaction in seeing something happen over time.

I like it when I can get really abstract.

May God point the right road for your journey.

All of the years I spent trying to be someone you could be proud of would have been better spent being proud of myself for who I already was.

When our spirit departs, we will transit into the next world.

All government is an ugly necessity.

When I have people around, I'm a chatterbox. But when I'm alone, I never speak. I don't talk to myself; it's just not my schtick.

I'm used to working really hard to get a role. I was always auditioning and talking my way into roles.

In Western-style Communism we would have to create an almost imaginary workers' image of themselves as the father-figure.

Enthusiasm is contagious, and the person who has it, under control, is generally welcome in any group of people.

But I tell you one thing, I don't want to be immortal if it mean living forever, cause then everybody else just die and get old in front of you while you stay the same, and that's just sad.

When I started studying tenor saxophone as a kid in Belfast, I did so with a guy named George Cassidy, who was also a big inspiration.