I'm attracted to working with comedians because they don't have that stars' idea of what a hero should be. The downside is they're always addressing the camera too much.

All these gadgets, the phone and the computer, they expose the inside of your brain in a way that's bad.

Every great idea is on the verge of being stupid.

Orange is an underrated color, it's the second most underrated color after yellow.

Of course, from time to time, I want to do everything myself and be more involved on my own with the creative process. But I don't mind the collaboration at all.

In my opinion, it's more interesting to see magic happening in a world that feels grounded. If the world is already crazy, then anything can happen. So it's better to start with something real.

I'm not against the technology at all, I just don't like to use it if it's just to mimic what you can do with traditional methods.

I would define myself as being naive and perverse at the same time. And I think that if that is consistent it will make the tone consistent.

When people are very original, sometimes they are original as a way to resist the mainstream.

Misinterpretation leads me to inspiration and creativity because I think my brain is trying to figure out some information that I'm confused about.

I like the days when all the filmmakers had was a film roll, a camera and a gangster. The Mack Sennett comedies were all like that. They'd create little teams to go out and shoot films.

It' is for objects, not people.

Evidently, I'd suffered an epiphany: the subconscious realization that when it comes to coolness, nothing the human race has ever invented is more cool than a book.

He wasn’t the best coder or the most introspective human being, and you must know that it takes the best coder and the most human human to produce the best droid in this age. (Douglas Parsley

If I had not been so great an invalid, I should not have done so much as I have accomplished.

It is what you do from now on that will either move our civilization forward a few tiny steps, or else... begin to march us steadily backward.

Quite likely the twentieth century is destined to see the natural forces which will enable us to fly from continent to continent with a speed far exceeding that of a bird.

I'm still an actor who wants to work all the time.

To be in Florence is to reflect on Europe's intricate diversity - and its lost creativity.

I've had a lot of struggles and I would be in a lot of trouble, I think, if I wasn't a Christian.

My contacts with the film industry can be described in very simple terms: The industry does not really need me, and I do not really need the industry.