I'm interested in the poetry of reality.

Let's try to bring more style into basics, and let's touch real people all around the world, people who don't really care who Christophe Lemaire is.

I try to bring as much taste, smartness, quality, functionality, and aesthetic qualities to everyday clothes.

It's true that I've made mistakes, but I know I shouldn't do them again.

I'm interested in the intimate relationships we can have with those good clothes that we may have in our closets.

Through designing clothes, I try to bring solutions to people, and I'm interested in the everyday relationship we have to clothes.

I'm trying just to do good clothes, clothes that you need as much as you want.

This is what I've always been interested in, trying to make timeless, functional, real clothes.

Everywhere I've been working, I always had in mind the final destination of the clothes, which is the consumer.

For me, the fashion show, the image, the shooting, is just a step. It's just a moment, but it's not the final destination.

I very much believe in the collective work and the team dynamic.

Facts: Words treated as statement of actuality by those who agree with them.

I have always looked after the little things of my business; weightier matters will take care of themselves.

I do a lot of improvising on movies, actually.

Above all, learn to breathe correctly.

Whom you would change, you must first love.

Emotion will always win over coolness and cleverness. It's when a scene works emotionally and it's cool and clever, then it's great. That's what you want.

My advice for young people is that, if you want to be a musician, the thing to do is practice eight hours a day.

Many artists use their own lives as a kind of case study to examine what it's like to be human.

All of life is the management of risk, not its elimination.