I'm not interested into victim photography. Photographing people suffering and putting it on a museum wall is too weird.

Our experience with knowledge, the way we know things, is not that neat. It doesn't fit into a grand narrative, the way we've been taught to read.

I think this is the most exciting time in the history of photography. Technology is expanding what photographers can do, like the microscope and the telescope expanded what scientists could do.

Whatever else a photograph may be about, it is always about time.

I've come to believe that beauty can be a very powerful conveyor of difficult ideas.

In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture, the 'discovery' of found narratives, deeply compelling.

There are two sides to a pancake. One is brown and fluffy; the other is burnt.

I mean it's - it is hard to find a voice on talk radio that is not a conservative voice.

He who allows oppression shares the crime.

Life reorders you when you go into the clear light. Even the causal structure is liquefied. The clear light of reality, the dharmakaya, changes us into beings of light.

On Jesus: "Everyone around me was flat-out in love with him, and who wouldn't be? He was good with animals, he loved his mother, and he wasn't afraid of blind people.

The more you speak of yourself, the more you are likely to lie.

What you really value is what you miss, not what you have.

Develop what you lack.

We were surprised that the television series had the kind of longevity that it had after only four years of filming it and the reception in 6 countries around the world was quite extraordinary.

Jacob was a gift from the gods.