I'm still learning. I've never done a digital project before. And I'm pretty sure I did things to the software that weren't supposed to be done.

I'd love to start some movements. What I'm tired of is irony, and sarcasm, and music/movies/what have you, not having the guts to mean anything.

The only purpose of the visuals, in any film, is to serve the story.

To be animating at the same time, it's the ultimate freedom in filmmaking because you can literally put anything on the screen that you can imagine.

Usually the more money that something takes to make, the less interesting it's forced to become.

Maybe the most annoying questions is: "Where do you see yourself in so many years?" It's a terrifying answer no matter how you think of it.

Most people's personalities and roles are locked by the time they're nine or 10. I think there's something to that.

Tuesday's coming, did you bring your coat?

There's really no reason film and digital can't happily co-exist and benefit from one another. Anyone who tells you otherwise is just trying to sell you something.

No matter what decade science fiction comes from, it's representing the present.

I think one of the reasons I love science fiction so much is that it's - when it's ideally done right, it's a reflection on ourselves.

When all that's left mediocrity and each day just bleeds into the next.

I smile to myself knowing that they may be dead.

The only person to blame for your situation is you.

Choose a job you love, and you will never have to work a day in your life.

There are always three speeches, for every one you actually gave. The one you practiced, the one you gave, and the one you wish you gave.

I'm still alive, and I don't lose sleep because I have done what I feel I needed to do, it was the right thing to do and I am not going to be afraid.

"Lost in Translation" by Sofia Coppola. It's a masterpiece. I laughed a lot but was also overwhelmed by the story - a rare combination.

...the sound of our lack of conversation amplified by the echo of our footsteps on the stone around us.

I stare at her, as dumbstruck as if she'd just admitted she's a Scientologist with an invitation to join Tom and Katie on the spaceship when it shows up.

The late 20th century sea level rise rate lacks any sign of acceleration. Satellite altimetry indicates virtually no changes in the last decade.