I prefer working on films. I like the variety. There is nothing better than playing a bad girl for two months, then playing someone sweet for the next two. Films give you this opportunity.

My philosophy has always been, do what you love and the money will follow.

I have always brought home stray animals - everything from squirrels to wild rabbits to foxes and turtles.

My biggest accomplishment was playing "Lark" on the daytime drama Port Charles because it was the most regular acting job I have had, and I had to step in and fill someone else's shoes.

Dustin Hoffman was the greatest. He had so much information to give and he mesmerized me. He really feels for actors who are just starting out and remembers his early days like they were yesterday.

I lost twins at 14 weeks, and I had to have an D and C on my birthday.

God does love you and that, hopefully, you get to the point that you realize that having a relationship with God should be first and foremost in your life.

I think everything in life is a balance.

I just think I have always had a good attitude about everything and never got ahead of myself. No one wants to work with a jerk.

At the end of the day, it's nice to walk away from a set knowing that you're doing a movie that is not just for money and is not just pure entertainment.

I started when I was seven years old so I was on 50, 60 cc Suzuki and then I went up to a Yamaha 125 and then my sister was 16 and she was racing a Harley Davidson 750.

It was days like this when I felt it more than ever: I wasn’t a real human.

A Grandmother thinks of her grandchildren day and night, even when they are not with her.She will always love them more than anyone would understand.

I adore [photography's] uneasy mix of fact and fiction - its dubious claim to truth - its status as history.

It's pretty clear now that what looked like it might have been some kind of counterculture is, in reality, just the plain old chaos of undifferentiated weirdness.

Like a hero in a dream, Christ came and He rescued me.

There are many people in South Africa who are rich and who can share those riches with those not so fortunate who have not been able to conquer poverty.

In our show, we try to think about consequences, not about tricking the audience or hiding things to fool the audience.

Love is not the dying moan of a distant violin - it's the triumphant twang of a bedspring.

Everyone must hoe his plot daily.

A thing is not vulgar merely because it is common.