I probably protect myself by not asking myself too much.

Sometimes I start with music on and then I get distracted because I'm working to a different rhythm; I'm not working to myself. So, I don't have music on when I'm working.

I like actual songs and bands, but it's usually parts, like the production, the bassline, the drums, that I'm really attracted to.

I started using Notes [on my iPhone] but I do a lot of hand written notes. It's a very slow, accumulative thing.

Performances have a bit of a life and a time scale to themselves.

I'm one who needs to be in the space [for] a sense of place and order. It's crucial.

I don't analyze too much, because then I'll question, 'Why do I write down all of these random little phrases?'

I'm not really interested in making someone endure a performance or stand there for too long. I like to think about the length.

It is certain, in any case, that ignorance, allied with power, is the most ferocious enemy justice can have.

As far as the sovereignty of Bosnia-Hercegovina is concerned we agreed to have limited sovereignty for a limited time and that is clear from the Dayton Agreement.

When America has been discovered in America it will be discovered in Europe. They are looking for America now.

Ever since I picked up a bass, I've written songs.

Maybe roll in the sand with a rock and roll man.

A lot of times, you just don't get the jobs you want to get.

I don't know what is better than the work that is given to the actor-to teach the human heart the knowledge of itself.

Helping those who have been struck by unforeseeable misfortunes is fundamentally different from making dependency a way of life.

I'll play drums a lot at home, and it will help my wrist action.

The worst of having so much tact was that you never quite knew whether other people were acting naturally or being tactful too. [The human element]