I remember that I auditioned with the scene where I pull the grandfather out of the coffin. I just loved it so much.

When need something really aggressive, outrageous and not done half-way, I feel like I'm your girl.

I worked a lot with Mark Frankel, and he was really just an incredibly tender soul. He liked his hair just so and his suit. He was a good-looking man, and he cared about looking together.

A lot of people have a dissatisfaction or an anger in them, so as soon as something goes awry, they flip out.

I loved playing Sasha. You don't have this on every job, or every show or movie, but every day was really an adventure, character wise, for what I got to do at that age.

I guess I just take things as they come now, as far as that goes. I get really excited to do the project, but I don't think too much beyond that.

I've done different conventions and had smaller roles in different sci-fi things.

I like everything that has to do with ghosts. If I see it, I'm all over it. We all have our thing.

Aaron Spelling kept trying to bring vampires about, and I feel badly that it happened so much later. He was ahead of his time, in that regard.

When I get excited about a character, I'll start doing things as the character and thinking about what the character would do.

The role always attracts me. Sometimes I can read something and I can barely see the rest of the script.

Telling my story was supposed to be a good thing but it had just made everything worse.

There have always been great defenses of poetry, and I've tried to write mine, and I think all of my work and criticism is a defense of poetry to try and keep something alive in poetry.

New Orleans has a real spirit. It's the most authentic of all American cities.

You get used to anything, sooner or later it just becomes your life.

You let their friendship continue because Maisie looks after your son while you're gallivanting around the country disguised as Sherlock Holmes" - Uncle Paton Yewbeam

There's only now, there's only here. Give in to love, or live in fear. No other path, no other way, no day but today.

Memory nourishes the heart, and grief abates.

When you work in film, you have to be pretty fluent in explaining your vision, especially when speaking to actors, and I found speaking to actors to be so challenging and intimidating on set.

A record, if it is to be useful to science, must be continuously extended, it must be stored, and above all it must be consulted.

And my music is always such a release of what I feel inside, an impulse.