I started making music for myself when I was sixteen.

I am such a goody-two-shoes.

Ultimately, I'm fine with everything that I've done.

Maybe I'm a better actor when I know there's going to be an older woman involved.

I've never done a blind date but my parents met on a blind date.

I've written probably over 200 songs that have a verse and a chorus and that's it.

My first job was a commercial for Ball Park Fun Franks.

My mom grew up in Kansas, my dad in Indiana. They had boring childhoods.

My morals are important to me.

New York is a character, all on its own, and whenever you film there, it becomes part of the show. That's just the nature of being there.

The truth is I want to make music that people enjoy.

All these kings would do a deal better if they would put down their swords and listen to their mothers.

Unsatisfied desire is in itself more desirable than any other satisfaction.

The human race is like a bird and it needs both wings to be able to fly. And, at the moment, one of is wings is clipped an we're never going to be able to fly as high.

I have a form of ESP that allows me to consistently pick losing lottery numbers, and generally make poor life choices.

I think some of this fascination with the 'Arab Spring' is just a grand experiment with Israel's survival.

It's the silence I imagine in the rest of the world, the silence of an endless ocean and uninhabitable island, a silence that can be seen from space.

Ironically, that was quite a bit of the appeal of Rumours. It's equally interesting on a musical level and as a soap opera.

What do you see when you look at me?

Someone once said to me, 'Are you telling me that chair isn't real, that it's only thought?' I said 'Of course the chair is real. But it comes to you via Thought

Remember—boredom is the enemy, not some abstract "failure.