I think after 1970 or so, after I sold Soul City, I took off for awhile and didn't do too many gigs.

Beware of pretty faces that you find, a pretty face can hide an evil mind.

But I always loved songs with great lyrics.

My first really good guitar was a Gibson J-45.

Even Woodstock turned out to be a disaster. Everybody was stuck in the mud and people got sick.

All summer long we spent dancin' in the sand, and the jukebox kept on playing Sergeant Pepper's Lonely Hearts Club Band.

I was working at this club in downtown L.A. from four to eight at night, just Eddie Rubin, the drummer, and I.

The web site and the Internet are a whole new ball game.

About two months into the Whisky, I borrowed some money and rented a remote recording truck.

I've got a Fender Concert amp from the '60s, the one Joe Osborn used. He played his bass through it.

I'd gone through periods where I didn't work live performances for probably seven or eight months at a time.

When you healed this tree, I felt like the leaves waved and made gentle sounds. Maybe the tree was saying thank you.

How can God allow such abominations to flourish unchecked in this world?The answer came in a question, Ruby.God, in reply, asked, "How can you?

It is one thing to rouse the passion of a people, and quite another to lead them.

In my teen years, I was hanging out with adults - Steven Meisel, Francois Nars, Oribe, Paul Cavaco. We had so much fun! We'd go out in New York.

I think it's easier for the general public to embrace me in a negative way. You have people who already have a perception of me that says I'm a bad person.

I mean the cool thing about the movies is that you get to try on these different personalities and different styles.

Love is the only emotion that expands intelligence

I don't think where people come from is that important. It doesn't matter if you come from reality TV. The question is whether you can inspire people.

I like things to have rules, I like order and I like schedules.

A mind that is very selective to forms... is apt to use its images metaphorically, to exploit their possible significance for the conception of remote or intangible ideas.