I think as long as the standard of quality, the story-telling, film-making, acting etc. etc. remains consistent, then you've got a good change of making a decent anthology.

I alwyas want to try and create new looks and new things, but equally scary, hopefully. But a new kind of style.

I love splashing the blood around.

At the end of the day, you're trying to make a certain film within a certain budget. Those rules never change.

But the smoking is very frustrating. Who knows where it will go; where the story will go; where the character will go? There's still lots of options.

our life has one chance in this world

When we write, we discover answers, though the key is not in the discovery but in the timing of the implementation.

Freedom without structure is its own slavery.

All revolutions are impossible until they happen. Then they become inevitable

About a third of my cases are suffering from no clinically definable neurosis, but from the senselessness and emptiness of their lives.

The present moment holds the key to liberation. But you cannot find the present moment as long as you are your mind.

In the long run, you hit only what you aim at.

In all the new states of the Union, land monopolization has gone on at an alarming rate, but in none of them so fast as in California, and in none of them, perhaps, are the evil effects so manifest.

I have to do my duty, whatever task is allotted to me.

In my limited experience, shows are like children. You can teach them manners and dress them in little sailor suits, but in the end, they're going to be who they're going to be.