I think color, for a costume designer, is one of your biggest storytelling devices.

I use color very instinctively.

Usually when you start the characters, the first thing is the script. Your design work is about telling the story. It's later that casting comes into play, but it's a huge component.

I look at comic books, and I do very eclectic mood boards with ideas and images that have to do with a character or story point. It's a bit like spinning plates. You gradually just steal your ideas.

The main way I start to allocate color is that it comes from the comics. That's where it all starts from.

Unseen in the background, Fate was quietly slipping lead into the boxing-glove.

Do not be your own devil.

A song without music is a lot like H2 without the O.

Old age has deformities enough of its own. It should never add to them the deformity of vice.

I feel like, even in this crazy world of Trump getting elected and these things that really kind of caught me off-guard, I feel like I understand less than I did.

We've got nearly 50 million people in America with no health insurance. That's a weapon of mass destruction.

After Bruno Walter, my career went in leaps and bounds. I have had 35 years of a career that is just incredible, and a wonderful time all over the world.

There's an argument that maybe [The Grinder] was better suited for streaming or cable. I don't know. I still like to think there's a place for smart, subversive, original comedies on networks.

I've always been the long-term relationship, go-home-and-meet-mom girl.

The feeble-minded, the neurotic, the criminal, perhaps, also, the artist, have unpredictability and perverted innocence in common.