I think of movies as depicting moments of change. Change is growth, and that change also possesses the same dynamism that movies do.

People have two sides, and a person first becomes appealing when you discover both of those sides - and worlds work exactly the same way.

With the assumption that animation is a medium for children, I want to make movies that reaffirm the future, and let them know that this world is a world worth living in.

I want to take themes that are shared throughout the world, express them through animation, and make movies from them.

Usually, people tend to see someone on the surface and think that that's who that person is.

I think the inner and outer aspects of the self together make one person.

The process of producing a project is one long string of delight and anxiety, but I think the real thrill of animation would have to be drawing the pictures.

It struck me that when we read picture books to children, we parents, and people as a whole, do not appear in them very much, and that they are more constructed to be a world of children and animals.

A delusion a mockery and a snare.

Words are such gross machinery, so primitive and ambiguous.

Putin recognized that if he could get enough money, everything would be under control.

I cling to the fantasy that I could have done something more creative. Like actually writing a script, or writing a book. But the awful truth is that I... probably can't!

My god how gentle you are with me in spite of my great ignorance and how merciful You are with me in spite of my ugly deeds

In general, if signs of sectarianism do appear in a Socialist Party, these are only the products of the absence of a broad Labour movement in the country.

To a poet the mere making of a poem can seem to solve the problem of truth…but only a problem of art is solved in poetry.

Dear 338171 (May I call you 338?)

We don't have to apologize for who we are

I'm just basically a workaholic.