I think that's the key to being a director: to be able to get the shot and move on quickly.

Erm, I don't really have any regrets.

In comedy, though, it's good to get feedback from the audience about what they find funny.

We love the Stooges, and young kids today don't watch them. They think it's their dad's comedy. So we thought we could reintroduce them to a new audience.

Writing is very difficult. You have 120 pages of blank paper and it's like, "Go fill that up with some funny stuff," and that's challenging.

We feel that what's too far is when you make a joke and somebody gets hurt.

In the world of comedy, having a partner is not the most unusual thing.

I just feel I'm on a different page from the reviewers, so I've learned not to care about them too much.

I feel reviewers are tougher on comedies in general. They don't take them seriously, and the ones that get great reviews are not necessarily the ones that I like.

What kills us isn't one big thing, but thousands of tiny obligations we can't turn down for fear of disappointing others.

Going to AA helped me to see that there were other people who had problems that had found a way to talk about them and find relief and humor through that.

I'm not a birthday person. Maybe because I don't like to build expectations around that one day. You never know how it'll turn out to be.

I want ... to consort with people whose emotions are not ... cold and standoffish.

I've dubbed myself as an amateur, not because I work in different field, but because I do what I do for love.

Every kiss is a kiss you can never get back.

I'd really like to write a book about Timothy McVeigh, but it would only work if he cooperated.

It is better to fear a little. One is cautious then.

The form of truth will bear exposure, as well as that of beauty herself.

Having been is also a kind of being, and perhaps the surest kind.