I think—the hero observes that nothing is so frightening as a labyrinth with no center.

... in art nothing is more secondary than the author's intentions.

As National Socialists we see our program in our flag. In the red we see the social idea of the movement.

So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

Find friends and not lovers; you will win the game of life.

One can be very happy without demanding that others agree with them.

If we go now, there's no coming back. You're mine all night." Her eyes flashed. "Promise?" That was it. Jack grabbed her hand and pulled her off the dance floor, toward the main entrance of the tent.

I want women -- and men -- to feel empowered by a deeper and more psychotic part of themselves. The part they're always trying desperately to hide. I want that to become something that they cherish.

It's about glowing lights and small things that are big.

I've done an informal, anecdotal survey about marriage, and I've found no evidence that it brings happiness.

I was delighted to not go to university. I couldn't wait to be out of education.

Man Ray takes a lot of pressure off me. It's like having a third person in a conversation; one of you doesn't have to talk all the time.