I think this is the most exciting time in the history of photography. Technology is expanding what photographers can do, like the microscope and the telescope expanded what scientists could do.

I'm not interested into victim photography. Photographing people suffering and putting it on a museum wall is too weird.

Our experience with knowledge, the way we know things, is not that neat. It doesn't fit into a grand narrative, the way we've been taught to read.

Whatever else a photograph may be about, it is always about time.

I've come to believe that beauty can be a very powerful conveyor of difficult ideas.

In spite of recent trends towards fabricating photographic narratives, I find, more than ever, traditional photographic capture, the 'discovery' of found narratives, deeply compelling.

When an idea takes hold, nothing can stop it!

The less said the better.

When I'm up there, and I know the show's coming to a close, in my head I'm saying to myself, Oh man, you gotta get off and be a normal person again. That's what I don't like so much.

If you can believe this, I didn't fight for my first world title fight till I had 58 fights, so I really appreciated what I was fighting for and for whom as well.

Many years ago, I really didn't know where the next work was coming from.

Your imagination is your most important tool, as an actor, as cheesy as that sounds.

I hope that, reading 'Rosa,' people will remember their own family and friends and talk about what they did and did not do.

I begin a book with imagery, more than I do with an idea or a character. Some kind of poetic image.

Every person you meet has a lesson to teach, a story to tell and a dream to share.

We Americans only voted for George Bush to prove to the British that Americans understand irony. Unfortunately, it kinda backfired.