I've created a vocabulary of different styles. I draw from many different ways to take a picture. Sometimes I go back to reportage, to journalism.

I didn't want to let women down. One of the stereotypes I see breaking is the idea of aging and older women not being beautiful.

One doesn't stop seeing. One doesn't stop framing. It doesn't turn off and turn on. It's on all the time.

Everyone has a point of view. Some people call it style, but what we're really talking about is the guts of a photograph. When you trust your point of view, that's when you start taking pictures.

When I say I want to photograph someone, what it really means is that I'd like to know them. Anyone I know I photograph.

A thing that you see in my pictures is that I was not afraid to fall in love with these people.

Things happen in front of you. That's perhaps the most wonderful and mysterious aspect of photography.

A lot can be told from what happens in between the main moments.

I wish that all of nature's magnificence, the emotion of the land, the living energy of place could be photographed.

Nature is so powerful, so strong. Capturing its essence is not easy - your work becomes a dance with light and the weather. It takes you to a place within yourself.

I feel a responsibility to my backyard. I want it to be taken care of and protected.

There’s a fine line between trying to be everything your mate wants you to be and wanting to be loved for who you are.

It's all right to drill your crew, but why not drill the passengers.

In a mad world, it is the mad who are sane.

Most of what we see in the universe is dust.

It is an old adage, "All is fair in love as in war," but I thought not of general laws, and only felt a private grievance.

Certain scents can evoke so much feeling, nostalgia, and trigger beautiful memories.

There is a little bit of Hitler in all white people.

I've been in the danger zone

There's a danger zone if you take yourself too seriously. It's a terrible trap to fall into. I think it's the death of comedy.