I work from a personal place, and the work has personal meaning for me.

Words can be applied as one might put on a scent, such as perfume. Some scents are so wonderful and others are sickening... titles can be the same.

Color is an intense experience on its own.

Landscape is a piece that is emotional and psychological.

When I make art, I think about its ability to connect with others, to bring them into the process.

Color is for me the purest form of expression, the purest abstract reality.

Our assignment comes with the alignment. Too many people look for the assignment without first finding their alignment.

When I started working with mirrors, it seemed to be the perfect material to stand in for that waiting.

I wasn't interested in holding onto the evidence of things.

Often, I work out of my work. One work takes me to the next thing.

I move very slowly. It's usually material first. I sit with the material for a long time.

Sometimes divorce isn’t an earth-shattering loss. Sometimes it’s just two people waking up out of a fog.

What's the ROI of your Mom?

The struggle we're dealing with these days, which, I think, is part of what the 60s represented, is how do we define our humanity?

I think I'm a weird combination of deeply introverted and very daring. I can feel both those things working.

All stories have a beginning, a middle and an ending, and if they're any good, the ending is a beginning.

Red flag of the eating disorder: the muffin. Keep your eye on the ladies with the muffins... and sometimes I'll just eat the muffin top.

Do you spend a couple of hours every day in your studio?

For me, what grabs my attention about the project is usually the character immediately and then the story, and then the people that are involved.

With Scratch, we want to let kids to be the creators. We want them to create interesting, dynamic things on the computer.

Sometimes I feel that the world is made up of sensible people who know the plot and bloody idiots who don't.