If we want a beloved community, we must stand for justice, have recognition for difference without attaching difference to privilege.

When we choose to love, we choose to move against fear, against alienation and separation. The choice to love is a choice to connect, to find ourselves in the other.

The moment we choose to love we begin to move against domination, against oppression. The moment we choose to love we begin to move towards freedom, to act in ways that liberate ourselves and others.

[O]ne of the most vital ways we sustain ourselves is by building communities of resistance, places where we know we are not alone.

The practice of love is the most powerful antidote to the politics of domination.

As long as women are using class or race power to dominate other women, feminist sisterhood cannot be fully realized.

To be truly visionary we have to root our imagination in our concrete reality while simultaneously imagining possibilities beyond that reality.

What we do is more important than what we say or what we say we believe.

The rage of the oppressed is never the same as the rage of the privileged.

Sometimes people try to destroy you, precisely because they recognize your power - not because they don't see it, but because they see it and they don't want it to exist.

Shaming is one of the deepest tools of imperialist, white supremacist, capitalist patriarchy because shame produces trauma and trauma often produces paralysis.

It is gaol that finally reveals to me the beauty of Shakespeare, the spirit in his words, the jaw-dropping audacity of his language.

I've known Mark Hunt for a long time, and I've known Brock [Lesnar] for a while. I think that it's a very interesting match-up. I think it's good on the UFC for making that match-up.

It's an excellent movie. Really excellent.

No golfer ever gets so consistently good that he can't use some constructive advice. No matter how many trophies he may win, he can't analyze and remedy his own faults.

I wasn't one of those kids who was chasing the dream and wanted to get to Hollywood because one day I was gonna get my chance and be a big star. I never felt like that.

Love me little, love me long.

If I don't come home covered head to toe in fake blood then I haven't done my job as a horror director.

My first hero, as a teenager, was James Connolly. I remember discovering that he was a feminist, and that was an eye-opener, coming from a man of such poverty.

A good mooring needs no knot, still no one can untie it.

Whatever I watched, whatever I loved in 36 years of life on Earth, probably had some influence on me.