If you asked me for my New Year Resolution, it would be to find out who I am.

Theatre has no national identity. It is something for the world, whether it is Irish, English, or French.

I love the theatre and theatre people.

One's performance is often heightened by the brilliance and generosity of other actors.

In my younger years my dedication may have expressed itself egotistically.

The actor has a constant problem of personal identity.

Acting is the most brotherly and sisterly profession in the world.

Religion promotes the divine discontent within oneself, so that one tries to make oneself a better person and draw oneself closer to God.

They say 6 million people see you when you act in a film; it may only be 600 in a play. But the effect on the 600 may be truer and more lasting.

I was rather a fat little boy.

To maintain one's individuality, integrity, and true personality in the theatre is a big task.

If you fall, you fall, " Elodin shrugged. "Sometimes falling teaches us things too." In dreams you often fall before you wake.

Future forecasting is all about testing strategies - it's like a wind tunnel.

I've given gifts in the Tour de France and it's come back to bit me. So no gifts.

Well, language seems to be something that obsesses me. I'm always writing about it.

The English language is full of words that are just waiting to be misspelled, and the world is full of sticklers, ready to pounce.

I don't think any movie I would do would be too serious or serious at all.

I write about myself with the same pencil and in the same exercise book as about him. It is no longer I, but another whose life is just beginning.

One of the greatest problems of humanity is how to live in a multi religious society without losing one's religion - without relativising everything.

Artists of many diverse types began using simple forms to their own ends.

It's part of the job to compensate for outfit.