It's important to find characters that share sympathy with a young audience, not just in the story but their role in the world.

The Author is a play about responsibility, how active we are as spectators and how responsible we are for what we choose to look at.

A child knows when they are on the receiving end of a didactic exercise, or when they are sitting in the shadow of something else.

I'm attracted to the underrated characters.

The Author is subtly unflinching in its satirical attack on certain practices in the creation of art and the mediation of violence.

Theatre critics have no special access to the truth. And there should be no objective truth to art.

Unease is not an emotion I get often in the theatre, and I like it.

As actors, we do our best to keep things light and to encourage in the audience an openness to the changing atoms in the room.

I am particularly interested in creating a relationship between ideas of reception in conceptual art and theater.

Uncertainty is a very good thing: it's the beginning of an investigation, and the investigation should never end.

Obsessive love wears down both its target and the obsessor.

But I pine in Solitude. Solitude is my undoing.

Prayer for worldly goods is worse than fruitless but prayer for strength of soul is that passion of the soul which catches the gift it seeks.

Telling a teenager the facts of life is like giving a fish a bath.

There is that. I might have better luck telling him I’m in love with him. Jace thinks everyone’s in love with him anyway.” “But I,” said Clary, “actually am.

I was an only child, but I did have a hell of a lot of cousins.

Hee that repaires not a part, builds all.

The American underground punk scene, though, is a story worth remembering.

Words want to find chimes with each other, things want to connect.

When you work with directors who really love actors, who love their contribution, it feels amazing. But sometimes when you work with directors, you feel like youre in the way.