It's kind of like, I love doing tons of different things. The only thing I hate is not being in ensembles.

I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.

Sometimes I get mad when I think that I only have maybe 40 or 50 more springs in New York. When I miss one, 'cause I'm on location for a film, I wanna go, 'That's it, that just cost me one of my 50!'

The great thing about playing a character that's similar to the audience, or similar to you, is that you get to have the same reaction that you would actually have to whatever's going on.

I have a really dry sense of humor. I don't think it's funny when people wink at the camera. That's more of an actor thing, just committing to whatever the thing is.

The script for 'In Good Company' was the first one I ever showed my dad.

My folks still live in my childhood home, and so when I'm home with them, I usually feel the best.

To be able to work with someone who you learn so much from is a really valuable experience.

I really need a therapist.

You can tell when someone is just trying to use you. It becomes just someone who's hanging around. Whenever someone sucks up to me, it never goes anywhere because I'm too boring a guy.

I don't want to be an editor - I want to be really forward about that. I would be a horrible editor.

Green was the silence, wet was the light, the month of June trembled like a butterfly.

Cheer up everyone, " he said, a new brightness to his voice. "Since we’re all going to die horribly anyway, what’s there to be worried about?

When you’re comfortable and content with who you are, the voices of others who try and define, control or direct you are not important.

Don’t be afraid of death so much as an inadequate life.

You know, when you've established a certain thing, what can you do? You're stuck with it.

What is the environmental platform of the Republican party? I don't know either.

Working for incredible talents like Balenciaga and Antonio Castillo, I learned about the immense skill and creativity involved in couture work.

Whatever purifies you is the correct road.

Death was Patrick Henry's second choice.

When you do children's TV or one episode [guest] stuff, you have to listen, which is also a great thing to learn. But you don't have individual input.