Maybe the most annoying questions is: "Where do you see yourself in so many years?" It's a terrifying answer no matter how you think of it.

I'd love to start some movements. What I'm tired of is irony, and sarcasm, and music/movies/what have you, not having the guts to mean anything.

The only purpose of the visuals, in any film, is to serve the story.

To be animating at the same time, it's the ultimate freedom in filmmaking because you can literally put anything on the screen that you can imagine.

Usually the more money that something takes to make, the less interesting it's forced to become.

Most people's personalities and roles are locked by the time they're nine or 10. I think there's something to that.

Tuesday's coming, did you bring your coat?

There's really no reason film and digital can't happily co-exist and benefit from one another. Anyone who tells you otherwise is just trying to sell you something.

No matter what decade science fiction comes from, it's representing the present.

I think one of the reasons I love science fiction so much is that it's - when it's ideally done right, it's a reflection on ourselves.

I'm still learning. I've never done a digital project before. And I'm pretty sure I did things to the software that weren't supposed to be done.

You will find, that when you have someone to love, that the face is less important than the brain, and the body is less important than the heart.

Certainty generally is illusion and repose is not the destiny of man.

Saving time = wasting time.

At his campaign launch, Donald Trump apparently paid extras $50 to cheer for him at the rally. Trump said, 'Usually when I pay a person to like me, it's my wife.'

You know, I've had Botox. The woman who does it is very good, obviously. Very conservative.

In art there is no progress, only fluctuations of intensity.

Mental reflection is so much more interesting than TV it's a shame more people don't switch over to it.

Stay with me. Always.

We needed to stop asking about the meaning of life.

It seems to me now that the deep structures [in writing] are often subconscious and set in childhood.