My sense is, I think it's okay for directors to do movies that speak to other work in their career.

I call it like the domino theory of reality. If you can go one step at a time and it seems to make sense, you can then take your audience into an area that is relatively outlandish.

The home viewing experience is slightly different and there's room for these kinds of extra excursions.

We watch movies about all sorts of things that we don't know anything about, but we do get caught up in the human drama.

Also watching a movie on DVD is different than watching it in the theater.

Movies either work or they don't work and they're either funny or they're not and we work very hard. To achieve that kind of work is really kind of delicate stitching.

I always see things that I can improve. But frankly with Stripes, I'm surprised at how effective it is, even today, and how vibrant that movie is and how juicy the performances all are.

I think Junior is certainly a science fiction premise as is Twins, as is Dave, beyond Ghostbusters.

I always thought that Bill Murray was one of the great actors that I've worked with. And I've worked with all kinds of people who are known primarily for their dramatic work.

Then my first film was something called Cannibal Girls, which sounds like a horror movie but was actually kind of a goofy comedy with horror elements. Like a horror spoof.

My first student film was Orientation, which was basically the set-up for Animal House. There are a couple of scenes that we later borrowed in some form.

I dance to music in my heart.

I love you, ” he says again, “and no other man will ever say those words and mean them the way I do.

I had watched him single handedly rip the head off a zombie as he had simultaneously prayed for its soul. When you witness a man do something like that, it changes your perception of them.

As perfume doth remain In the folds where it hath lain, So the thought of you, remaining Deeply folded in my brain, Will not leave me: all things leave me: You remain.

Marks on paper are free - free speech - press - pictures all go together I suppose.

To deny the predictive validity of race at this level is nonscientific and unrealistic.

...much of what was said did not matter, and that much of what mattered could not be said.

Once it gets to a point where it becomes a matter of life and death to occupy a position of leadership or not, with an eye on future opportunities, therein lies the danger.

In some Arab art exhibitions that have happened, there's always this idea that the East is more traditional; they show a lot of works on calligraphy and religion.

Now clear your minds. It knows what scares you. It has from the very beginning. Don't give it any help, it knows too much already.