My work is about helping humanity.

People always understand everything in retrospect.

Anything important has to be almost invisible. And underrated. So the understructure should be underrated, but strong enough to hold the earth.

Public art existed all along, but ecological art just naturally grew out of my thinking and writings in that area for years. I didn't get involved in it; I started what then became a movement.

People are always fighting reality until it's pushed down their throats.

Most wonderful things are unconscious.

People have too many problems during the day; they don't want to think.

When I'm gone, you'll be sitting in a cafe and say, "Do you remember Agnes?"

People don't hurt what they love.

I went through about six or seven painting methods just to see what I didn't want to do. And then I got off the wall, and went into the environment.

Thinking has an understructure and underpinnings.

[a]nd the Pig Man came in from Waitomo and swore that if Louisa didn't marry him he'd damn well vote Labour at the next ele

Fasten your belts and sharpen your arrows, we're going for a hunt! I'm single again!

One of the key elements is the ability to be honest with yourself.

In a comedy, after the day is done, you can figure out ways of how to make it even funnier for the next day. In dramas, it's very different - the mindset that you're in.

Once upon a time the world was round, and you could go on it around and around.

Not only can no one predict the future, we don't understand the present - and there isn't even any certainty about the past.

I sacrificed my anonymity for my father, whereas he sacrificed me for his fame.

When it comes to making love, I may not be the best, but I'm damn gouda.

What in your life allows you to give up to other people, and allows you to forgive others and accept forgiveness.

Who are you now? Who have you decided to become? Make this decision consciously. Make it carefully. Make it powerfully. Then act upon it.