Mystery is a resource, like coal or gold, and its preservation is a fine thing.

There's a story everywhere. Being bored to death someplace is basically a funny proposition. What you have to watch out for is you don't write a boring story about a boring place.

A journey is best measured in friends, not in miles.

I am living out my adolescent dream of travel and adventure.

I take compliments and I take constructive criticism. Not everyone loves you. It's the way you react as a footballer. I use it all to make me play better.

No amount of money could make me play for Liverpool, that isn't disrespect to Liverpool or their fans, it's respect for Everton

A constant ongoing joke among the people that I travel with is my absolutely hopeless sense of direction. I'm able to get lost a half an hour from camp. I don't know how I do this.

The sensual caress of waist deep cold smoke.... glory in skiing virgin snow, in being the first to mark the powder with the signature of their run.

My concept of drama requires obstacles, and there's no obstacles in comfort.

I see many people trying to write well about the wilderness, and essentially failing. To me there are basically two aspects of a failed outdoor story. One is the phony epiphany on the mountain top.

The explorer is the person who is lost.

I often wonder if God recognizes His own son the way we've dressed him up, or is it dressed him down?

We are alone by birth, but we conceal the truth from ourselves till death.

When you found a company, you have the original vision, you make all the original decisions, you know every employee, you kind of know every aspect of the product architecture and its limitations.

I think the best comparable is Bryant Gumbel's "Real Sports," in the sense that it's quarterly as well. So that's what we're doing, a quarterly special, an hour, three to four stories each hour.

You should study Pokemon to get stronger.

After a certain point, most people, including editors, will tell you everything you do is great.

I'm not a great consumer. I always ask myself, 'Do I really need that piece?' I have friends who have 300 pairs of shoes; how would you leave the house in the morning?

Organizations are, in the last analysis, interactions among people.

A work of art works because it is true, not because it is real.