No one should be offended - that's not my style.

The first rule of Zombieland: Cardio. When the zombie outbreak first hit, the first to go, for obvious reasons ... were the fatties.

I had great difficulty in school interacting with others, and I took refuge in the contrived setting of play acting, which is what I still do.

I grew up in a secular suburban Jewish household where we only observed the religion on very specific times like a funeral or a Bar Mitzvah.

Every character I play has to be the hero of his own story, the way we're all heroes of our own lives.

I have an iPad and I watch three things: 'The Daily Show,' '60 Minutes,' and 'Meet the Press.'

No compliment is ever sufficient and every insult, of course, is true.

I have one female fan. But she lives with me. I'm not aware of any others.

Society will decide after the technology is created what we will and won't accept.

The happiest moments for me, creatively, are doing readings of a play around a table where there's no audience.

People ask me what my hobbies are in interviews, and I always say biking. But all I bike for is to get to rehearsal more quickly.

Are infinite possibilities a storyteller's worst enemy or best friend? I'd say a bit of both really and one must be grateful for this paradox.

If you expect to see the final results of your work, you simply have not asked a big enough question.

Performance art is about joy, about making something that's so full of kind of a wild joy that you really can't put into words.

For many people, politics in Brussels and Strasbourg might as well be happening on another planet.

Obviously, the young dancers lack a certain air of maturity.

I am what I am because I have made myself so.

God is just another artist, like me.

The law of Karma is the law of causation.

'Visiting Mr. Green' is a good play. I enjoy being in it, and I have a wonderful colleague, Aidan deSalaiz, to work with. Audiences like it a lot. What's not to like?

To read a novel is a difficult and complex art.