Nor does the idea of a moral order asserting itself against attack or want of conformity answer in full to our feelings regarding the tragic character.

In speaking, for convenience, of devices and expedients, I did not intend to imply that Shakespeare always deliberately aimed at the effects which he produced.

Shakespeare also introduces the supernatural into some of his tragedies; he introduces ghosts, and witches who have supernatural knowledge.

In the first place, it must be remembered that our point of view in examining the construction of a play will not always coincide with that which we occupy in thinking of its whole dramatic effect.

Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact.

You can’t let the fear of failure keep you from taking the risks that you know are the right ones to take.

We try to 'self-medicate' ourselves against boredom with mobile phones in any given moment of free time.

Tis the strumpet's plague To beguile many, and be beguiled by one.

Heartthrobs are a dime a dozen.

I guess, as they say, I never acquired a taste for [caviar].

I'd like my writing to be recognized with a Grammy.

Compassion automatically invites you to relate with people because you no longer regard people as a drain on your energy.

No sooner is a Temple built to God but the Devill builds a Chappell hard by.

But I don't want to sing everything out of the side of my mouth, I want people to understand what I mean.

Truly great actors carry their characters in silence with them. They communicate without words the relationships that predate the movie.