On Planet of the Apes, I had a very knowledgeable team who knew good materials, but I had one main source person who worked online and on the street continually looking for the proper materials.

In real life, a lot of people at that level will have their kimonos made especially for them.

I had to work out that it was something that could move, without having everybody in spray painted leotards.

In designing Supergirl, I wanted to embrace the past but more importantly, thrust her into the street-style action hero of today.

I like the architecture of lingerie.

Costumes are the first impression that you have of the character before they open their mouth-it really does establish who they are.

Inspiration comes from everywhere: books, art, people on the street. It is an interior process for me.

If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story.

The reward is that you can actually create a world separate from reality with a story, actors, music, and camera design. When it works it can entertain, move people and teach us all.

Be really good with budgets because they keep getting smaller.

As a designer, you have to solve a lot of problems. Even though people are wearing clothes that are supposed to look beautiful, they'll have to do all kinds of things.

The cell, over the billions of years of her life, has covered the earth many times with her substance, found ways to control herself and her environment, and insure her survival.

Pop art is for everyone.

There may be no greater tribute to Steve Jobs' success than the fact that much of the world learned of his passing on a device he invented.

I used to play golf with a guy who cheated so badly that he once had a hole in one and wrote down zero on the scorecard.

A story doesn't live until it is imagined in someone's mind.

You will burn and you will burn out; you will be healed and come back again.

Pressure is part of what we do. It's always present.

In my day, if a guy came to spring training 20 pounds heavier than what he left, he was considered out of shape and was probably in trouble.

Look at somebody like Drake, the guy is one of the most vulnerable. He says exactly what's on his mind and that's why I respect him.

The level of acting that I bring to films in three dimensions. I hope they make people sign some kind of waiver because if their mind explodes from my acting in 3D, it's not my fault.