One of the dangers of making a movie about young people is it's potentially trite.

The first person I met in the business was David Heyman, who was a producer on Daytrippers and who went on to produce the highly-unsuccessful Harry Potter series.

I feel this way about a lot of movies, that the characters are idealized versions of people. For better or worse, I am as fascinated with human flaws as anything.

Jon Hamm was the first I thought of for the other role in [Keeping Up with the Joneses], I recently worked with him on Clear History, an HBO improv movie that we had done together.

It actually took me 20 years to want to write about my youth. I was definitely always a little intimidated about writing about that part of my life.

My first love will always be movies.

Jon Hamm is incredibly good at playing people who have secrets and are hiding aspects of their personality, and obviously Don Draper had a lot of that.

I feel like I'm long overdue for a "one for me" movie, so I've got two low-budget indy personal things I'm working on.

I've been co-writing a TV thing with Bryan Cranston, which we are going to find out soon if it's moving forward or not which is for Amazon.

Brian Eno records and music became a huge obsession of mine in college, in a way that a pop song can provide solace. I don't know if it's shallow or silly, but it meant so much to me.

Even the mistakes and the pain that you've caused and enacted upon you. That is definitely what I'm trying to capture

You can’t separate desperate politicians from violence and trouble.

[This philosophy] does not … regard the pen as the only fit organ for the revelation of truth, but the eye and ear, the hand and foot

Mindfulness is not entering into another planet. It is making you good at what you do. It is restoring your link to the source of life.

Most people are dependent on legal drugs but this is somehow not an obstacle to seeing an enemy in every underground addict.

By taking to the road, we free ourselves of baggage, both physical and psychological. We walk back to our original condition, to our best selves.

Death was like love, a romantic escape.

Look, you come in here tomorrow, and anything you do with your right hand I'll do with my left.

There's something going on and it's bad. And I'm saying we have to get to the bottom of it.

Biennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their work.

I'm a self-made woman. I've never compromised myself.