[Paper Girls] is very much is about how we are thinking about our past and growing up.

[Paper Girls] needed to have a certain kind of almost neon style to it, but at the same time we wanted also to show the modern perspective that we had.

We wanted the book [Paper Girls] to feel to evoke the '80s, but not necessarily feel that it was drawn then.

Back then, as a kid, you could really just do whatever you wanted until your parents got home.

The '80s were a really different time for kids.Technology has changed so much of how we stay in touch and keep tabs on people.

Nothing I've worked on has been asked this much of me to put it on the page [like Paper Girls].

I don't think I've ever worked on a project [Paper Girls] that is this personal. We draw so much on our memories of growing and we're putting so much of our present day into it as well.

But then why do we write if not to tackle the fears that others look to us to conquer?

Maybe the Good Friday story is about how God would rather die than be in our sin-accounting business anymore.

Our single most important challenge is therefore to help establish a social order in which the freedom of the individual will truly mean the freedom of the individual.

Even though I am a mathematician, I look at [fetal development] with marvel: How do these instruction sets not make mistakes as they build what is us?

If God was giving me a ham, I'd be crazy not to receive it. Maybe it was the ham of God, who takes away the sins of the world.

I'm sure the England selectors thought if they took me on and gave me the job, I'd want to run the show. They were shrewd, because that's exactly what I would have done.

And it is not a slight thing when they, who are so fresh from God, love us.

I am not the sharpest knife in the knife-thing

Don't hate the player, Todd, hate the game.

Whiskey claims to itself alone the exclusive office of sot-making.