There are very few actresses who can grow old and still get exciting parts... I think it's very important for me to have wider horizons, rather than just waiting for calls.

I think denim is something everyone feels comfortable in. It's kind of my uniform, really.

I actually don't trust anyone who tells me they don't like New York.

I believe you have to make things happen.

I think it's too bad when teenagers become conformist in terms of fashion,because it's the ideal time to go off into your own crazy thing without looking completely idiotic.

I think the people we meet in life and the loves of our lives are very, very important in what we become, like change us - when it's right, probably change us for the best.

You have to encourage people not to give in to the temptation to be normal, even if it isn't easy - because when you're young, you really want to belong.

In Los Angeles, you feel like everything revolves around the movies. In Paris, you still have other things to do.

I'm never anywhere for more than three weeks.

I used to spend hours at night, downstairs, in front of the only full-length mirror in the house, standing on the table working out what I would wear to school the next day.

I realised that since I was a child I wanted to be an actress just to dress up in big fabrics and corsets and have adventures riding horses with lots of blood and action!

Autumn is the hardest season. The leaves are all falling, and they're falling likethey're falling in love with the ground.

We photograph things in order to drive them out of our minds. My stories are a way of shutting my eyes.

Live in this moment because this moment is the only thing that's real and the only time that you can create greatness.

A woman is perturbed by what a man forgets---a man by what a woman remembers.

It often happens that things come into the mind in a more finished form than could have been achieved after much study.

Superstition? Who can define the boundary line between the superstition of yesterday and the scientific fact of tomorrow?

A good horse makes short miles.

The whole world might know you and acclaim you, but someone in the past, forever unreachable, forever unknowing, spoils it all.

The dilemma of Brechtian performance is that, for all of Brecht's emphasis on rationality and the undermining of theatrical illusion, the actor must convincingly portray something that she is not.

When I came into the WWF, the first thing I really didn't want to have was being Bret Hart's little brother.