We love the flexibility that print and digital formats give us, and diving deep on a print feature can be one step in a longer project that generates a lot of digital stories.

It is a great vehicle for storytelling, especially for a certain kind of exhaustively reported, painstakingly fact-checked, and beautifully produced narrative.

We made an amazing video about Newtown's struggle to figure out what to do with all the letters and art sent to the town.

We've investigated the gun lobby and its political donations and how it spread the Stand Your Ground laws from Florida.

We started out covering income inequality in the magazine [Mother Jones], but that ongoing body of work positioned - and sourced - us well to put both Occupy and the 47 percent in context.

Vision is an important part of being a good editor, but so is teamwork and grace.

Hate is infectious, but so is love, the difference between the two is one takes effort and the other one doesn’t.

We do not learn from experience... we learn from reflecting on experience.

The greatest of faults I should say is to be conscious of none.

When the rate of change outside is more than what is inside, be sure that the end is near.

I think people use temp music quite a bit, but the people who write the temp music don't ever really learn that their music was inspiring a movie.

What I am really concerned about is what art is supposed to be - and can become.

LA is the loneliest and most brutal of American cities; NY gets god-awful cold in the winter but there's a feeling of wacky comradeship somewhere in some streets. LA is a jungle.

It is evident that you contend against sin merely because of how it troubles you.

Self-respect governs morality: respect for others governs our behavior.

But I began then to think of time as having a shape, something you could see, like a series of liquid transparencies, one laid on top of another.