We're waiting for the pendulum to swing back again, which I am absolutely confident it will.

Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.

The studios will go wherever they smell money. It's like sharks to the blood.

We'd love to do Space Ace 3D. It has a lot of potential. But, it is really up to the publishers.

You've got to be able to make animation for much less... Less is not the studio's way.

If the machines can take the drudgery out of it and just leave us with the joy of drawing, then that's the best of both worlds - and I'll use those computers!

I prefer that animation reach into places where live action doesn't go, and it seems like all of animation nowadays is trying to go where live action is.

The only one that seems to be able to hold the business is Disney. They do it is because they have a fabulous philosophy about marketing- but even they wavered.

You just can't keep pouring money down an endless hole and never recoup any of it. It's got to be a business.

The heart of Dragon's Lair has always been its compelling story. With Dragon's Lair 3D, we think the team has really created an interactive animated movie.

How can you have a director that doesn't go to work with the crew every day and talk to them?

It was rather beautiful: the way he put her insecurities to sleep. The way he dove into her eyes and starved all the fears and tasted all the dreams she kept coiled beneath her bones.

Art is not about achievement, but rather a new perspective to look from.

Yoga is not a religion to me.

Two weeks ago we couldn't pronounce your name, but you were in the lead in a film that made millions, so we're sending you all these scripts.

My mom was [a hippie]. We weren't allowed sugar cereal. We weren't allowed processed foods - except Van de Kamp's fish sticks. We never locked the front door.

I shall have liberty to think for myself without molesting others or being molested myself.

The inhibitor of creativity isn't potential it's fear. We worry about saying the wrong thing or looking foolish so we govern our imagination.

Now I approach climbing differently. I have learned less effort and energy, less obsession, and more feeling, as with piano, more emphasis and less frenzy.

I think working with artists is incredibly important for everybody in the world, but also, it is a way of seeing the world differently.

A suffering world cries for mercy, as far as the eye can see. Lawyers around every bend in the road, lawyers in every tree.