When you make a mistake, be excited! Analyze what happened, and learn from it.

Motivation is the fuel, necessary to keep the human engine running.

Motivation gets you going and habit gets you there.

Your attitude, not your aptitude, will determine your altitude.

Remember that failure is an event, not a person.

There is no elevator to success. You have to take the stairs.

You don't have to be great to start, but you have to start to be great

When obstacles arise, you change your direction to reach your goal; you do not change your decision to get there.

Until you are happy with who you are, you will never be happy with what you have.

F-E-A-R has two meanings: 'Forget Everything And Run' or 'Face Everything And Rise.' The choice is yours.

There is no elevator to success, you have to take the stairs.

Only a bad artist thinks he has a good idea. A good artist does not need anything.

If I were the commissioner of all sports media I would issue an immediate ban on three-person announcing teams on telecasts of live sporting events. In almost all cases three is one voice too many.

I'd ice-skated before, because I'm Canadian and that's what you do as a kid, but I'd never, ever been on quad skates.

Unless Russia is face with an iron fist and strong language, another is in the making. Only one language do they understand - 'How many divisions have you?' ... I'm tired of babying the Soviets.

Jesting is often only indigence of intellect.

The more competition and the more voices - that's why I love bloggers and anything else the Internet can produce in the way of new news voices.

I'm such a maniac. Where wayne at, I'm tryna get sum brainiac.

When I paint a woman in an armchair, the armchair is there to show illness and death-or as a protection.

I knew I loved it because I could take the failures. I was like a professional fighter - they're beat 20 times in a row and they just want that one win.

Picasso had nicknamed Georges Braque "Wilbur," thereby becoming "Orville" in their Wright Brothers-like ambition to get painting off the ground of conventional representation.