Without justice there can be no love.

When we choose to love, we choose to move against fear, against alienation and separation. The choice to love is a choice to connect, to find ourselves in the other.

The moment we choose to love we begin to move against domination, against oppression. The moment we choose to love we begin to move towards freedom, to act in ways that liberate ourselves and others.

[O]ne of the most vital ways we sustain ourselves is by building communities of resistance, places where we know we are not alone.

The practice of love is the most powerful antidote to the politics of domination.

As long as women are using class or race power to dominate other women, feminist sisterhood cannot be fully realized.

To be truly visionary we have to root our imagination in our concrete reality while simultaneously imagining possibilities beyond that reality.

What we do is more important than what we say or what we say we believe.

The rage of the oppressed is never the same as the rage of the privileged.

Sometimes people try to destroy you, precisely because they recognize your power - not because they don't see it, but because they see it and they don't want it to exist.

Shaming is one of the deepest tools of imperialist, white supremacist, capitalist patriarchy because shame produces trauma and trauma often produces paralysis.

To faith doubt is a sin, to science a virtue, to love a cancer and to life, suicide

One realized all sorts of things. The value of an illusion, for instance, and that the shadow can be more important than the substance. All sorts of things.

Young men do not respect girls they can take advantage of - and they do not as easily take advantage of girls they respect.

Every rebellion implies some kind of unity.

Strong feelings are fine; it's the overreactions that mess us up.

A self-conscious society will therefore endeavor to limit sect forming by providing for the widest possible diffusion of secular knowledge.

Good leaders reach solutions, and then stop. They do not dare to rely on force.

When I'm approached by brands I use the kind of philosophy - I don't really get into a project unless I feel I can make something that will be honest for me.

Painting pictures didn't make me a lot of money. I have to eat.

It's the worst kind of bad film: the kind that gets you all worked up and then lets you down, instead of just being lousy from the first shot.