You never really know until you put the movie in front of an audience. I am a big advocate of screenings, which are getting harder and harder to do nowadays.

I go through a whole process with the actors first, building and creating characters, then I encourage them to sort of live in that character when they're in the screen.

We do nods to Charlie's Angels and Mission Impossible because they are popular with our fan base.

I prefer the smaller budget versus the bigger budget because the mentality that goes along with big budget filmmaking doesn't really suit me; the mind-set that money is the answer.

Creativity is the answer. I always prefer the creative solution to an expensive solution.

I'm just calm under fire. I'm not intimidating at all.

Comedy has a responsibility to be a voice of society, so within that, there's always going to be those that talk about those subjects and things that are going on in the world.

All I need is a camera and I'll make things happen

There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.

I put heavy emphasis on the characters.

We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.

To the living we owe respect, but to the dead we owe only the truth.

It's going to be a combination Scopes trial, revolution in the streets, Woodstock Festival and People's Park, all rolled into one.

Going to the darkest place you can to make yourself really upset and adding that with the physicality and running around, you can work yourself into hysteria that way.

The last thing I would ever do though is actively work against another woman.

I don't understand why the police are infallible. They remind me a lot of the Catholic Church.

You haven't broken me Taker, you haven't broken me, I'm still standing.

I love saying dialogue and creating a full character more than just being physical. But I always end up doing physical stuff in my roles.

I love street style, seeing how girls wear pieces and how their pair accessories with their outfit. How they pair shoes with a bag and go to day to night and change things up.

Even The Impostors, as silly as it is, is a very intimate film, in a way.

What valor were it, when a cur doth grin, for one to thrust his hand between his teeth, when he might spurn him with his foot away?