You spend your whole life trapped inside your body. Everything you know about the world comes to you through your body.

I was always amazed at how beautiful the light was. At different times of the day the landscape becomes a different place. Dawn and dusk, it's a different place.

It just struck me that one of the things about photography that made it such a compelling medium to deal with is that it is perhaps the most contradictory of mediums.

What happens with experiences that really move us deeply, that really effect us? They make the world new again. What it does is it heightens our sense of mortality.

On practical level I can't pick up the camera until I think I know what I want. I don't wander around. It's almost impossible for me to pick up a camera... it's really hard.

Most of life is grey, with a little tiny bit of black and white.

You pick up a camera because something has been revealed to you in the landscape or in the human-scape. And you have no choice because it's a gift. And it's like, oh right, I better start doing this!

There are no inherent limitations to the medium. There are just differences.

There's something about the processional nature of the architecture, of the rooms connecting rooms. It's just breathtaking.

It was the dreamscape of the suburbs that interested me.

As a boy I was obsessed with Egypt and Egyptology. I'm convinced it's not that uncommon. A lot of 10 or 12 year old boys become obsessed with Egypt. It's a bit like young girls and horses.

Jesus isn't one of many

Are we all just lightning rods for other people's destinies? Is that what it's all about

Not only am I a musician, but I'm a businessman and a family man.

If you want to make better use of your time, you need to be looking for the small increments of time ... a minute here, five minutes there, etc.

Everything interests me, but nothing holds me.

These are bad days for all of us who remember always that when real world forces come into conflict, the final result is never as dark as we mortals guess it in very difficult days.

It's the viewer that makes the work.

He that is in haste may contract much guilt in a little time. What we say or do unadvisedly when we are hot, we must unsay or undo again when we are cool, or do worse.

A man should ever, as much as in him lieth, be ready booted to take his journey, and above all things look he have then nothing to do but with himself.

If we don't tell our own stories, no one else will.