Your photography is a record of your living, for anyone who really sees.

It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.

The artist's world is limitless. It can be found anywhere, far from where he lives or a few feet away. It is always on his doorstep.

It is easy to make a picture of someone and call it a portrait. The difficulty lies in making a picture that makes the viewer care about a stranger.

If you let other people's vision get between the world and your own, you will achieve that extremely common and worthless thing, a pictorial photograph.

No matter what lens you use, no matter what speed the film, no matter how you develop it, no matter how you print it, you cannot say more than you can see.

The important thing is, you have to have something important to say about the world.

All good art is abstract in its structure.

I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.

Objectivity is of the very essence of photography, its contribution and at the same time its limitation

I like to photograph people who have strength and dignity in their faces. Whatever life has done to them, it hasn’t destroyed them.

Reader one moment stop and think, That I am in eternity and you are on the brink.

When I have a job to do, time means nothing. I lose patience with people who work on a clock.

I make the majority of my money from Patron, but my passion is with Paul Mitchell: I spend 85 per cent of my time on it.

It is in middles that extremes clash, where ambiguity restlessly rules.

Even popularity can be overdone. In Rome, along at first, you are full of regrets that Michelangelo died; but by and by, you only regret that you didn't see him do it.

People with mental illnesses are dying on our streets. More than 350,000 are in jails and prisons. Most are people whose only real crime is they got sick.

In acting there's two different things: You're either pitching in a scene, or you're catching.

C++ is a pile of crap.

I've always been very wary of debates involving women.

In the dark times, if you have something to hold on to, which is yourself, you'll survive.