...people have always known, at least since Moses denounced the Golden Calf, that images were dangerous, that they can captivate the onlooker and steal the soul.

American cities are kind of difficult contexts to work in. They are politically complex. There are a lot of different interest groups. It takes immense political skill to get anything done at all.

There is no magical solution because urban traffic congestion arises from the fact that a lot of people want to be in the same place at the same time often.

Exile is a series of photographs without texts.

What we need is a critique of visual culture that is alert to the power of images for good and evil and that is capable of discriminating the variety and historical specificity of their uses.

Photography is and is not a language; language also is and is not a photography.

We need to see our collective mind as the vehicle that will take us to the destiny of our dreams

Dont retreat. Retweet!

There is not a sentence in the world that could respectfully do justice to the life and music of Jerry Garcia.

With the tiger you're always on edge, and you always have to keep your distance. The monkey is far less threatening so you're more relaxed around the monkey, and I think that's actually hazardous.

A good solid bit of work lasts.

I thank all missionaries, men and women who quietly work hard for the Lord and their brothers and sisters.

At the top of the iron staircase leading to the stage, the good, dry, dusty warmth wraps me round like a comfortable dirty cloak.

I'm kind of a homebody.

If you want to see your plays performed the way you wrote them, become President.

To know an object is to lead to it through a context which the world provides